第一篇：毕业论文标题、中英文摘要、关键词和目录的格式

毕业设计（论文）

新民本主义：

传统民本思想与现代民主理念的契合（字体:黑体小一）

专业年级 学生学号 学生姓名 指导老师 评 阅 人

二○○ 年 月 中国·南京

234-

第二篇：中英文摘要及关键词格式

附件3

中文题目（居中）

摘要：×××××（摘要内容用小四号宋体字书写，每行与冒号对齐；行距为固定

值22磅）×××××

关键词：×××××（关键词内容用小四号宋体字书写，每行与冒号对齐；行距为固

定值22磅；关键词之间用分号相隔。）×××××

注：

① 格式模板中的说明（红色或蓝色字体表示），在参阅后请删除。

② 中文摘要及关键词项目排版要求：中文摘要及关键词项目要求独占一页。其中，中文大标题（课题题目）用二号黑体字居中书写，上空1.5行，下空1行；摘要两字用四号黑体字顶格书写，摘要内容用小四号宋体字书写，每行与冒号对齐，行距为固定值22磅；关键词三字用四号黑体字顶格书写，关键词内容用小四号宋体字书写，每行与冒号对齐；行距为固定值22磅。

英文题目（Times New Roman字体）

Abstract：abcdefghijk（英文摘要内容用小四号Times New Roman字书写，每行与冒号

对齐；行距为固定值22磅）×××××

Keywords：abcdefghijk（英文关键词内容用小四号Times New Roman字书写，每行与

冒号对齐；行距为固定值22磅；关键词之间用分号相隔）×××××

注：

① 格式模板中的说明（红色或蓝色字体表示），在参阅后请删除。

② 英文摘要及关键词项目排版要求：英文摘要及关键词项目要求独占一页。其中，英文大标题（课题题目）用二号Times New Roman字居中书写，上空1.5行，下空1行；Abstract用四号Times New Roman字顶格书写，摘要内容用小四号Times New Roman字书写，每行与冒号对齐，行距为固定值22磅；Keywords用四号Times New Roman字顶格书写，关键词内容用小四号Times New Roman书写，每行与冒号对齐；行距为固定值22磅。

第三篇：毕业论文致谢、中英文摘要、目录

Acknowledgements I would like to express my gratitude to all those who helped me during the writing of this paper.I am appreciated for my supervisor, Ms., who gave me the freedom to choose the subject of my paper.Her instructive advice and useful suggestions on my paper benefited me a lot.She has walked me through all the stages of the writing of this thesis.I am deeply grateful of her help in the completion of this thesis.I am also deeply indebted to all the other supervisor and teachers in Translation Studies for their direct and indirect help to me.I also owe a special debt of gratitude to my friends for their valuable suggestions and critiques which are of help and importance in the making the paper a reality.Li Xiaokun

May 10, 2010

【摘 要】 简.奥斯汀是18世纪末杰出的英国女小说家，同时也是英国文学史上第一个重要的女作家。在奥斯汀的作品中，“理性”与“情感”是一个永恒的、矛盾统一的主题。本文对照其早期和后期的主要作品《傲慢与偏见》和《劝导》，对作品中女性人物的进行分析，看奥斯汀作品中“理性”与“情感”的平衡。

引言部分对简〃奥斯汀在英国文学史的影响以及她的作品做了简单的回顾，并指出了论文的主题。第二部分讨论了“理性”与“情感”在《傲慢与偏见》中的体现。通过分析夏洛蒂〃卢卡斯、简〃班内特、伊丽莎白〃班内特三个女性人物点明在简〃奥斯汀的前期作品中，女主人公只有用“理性”约束“情感”，才能获得婚姻的幸福。第三部分讨论了“理性”与“情感”在《劝导》中的体现并指出“理性”只能带来痛苦并不能给将来任何保障。这表明了“理性”向“情感”的转变并歌颂了情感的伟大力量。在第四部分中，具体地解释了简〃奥斯汀创作思想的改变。并主要从社会和简〃奥斯汀的个人经历两方面阐述了这一改变的原因。

简〃奥斯汀是一个集大成者，具有里程碑的意义，在英国文学史上起到了承上启下的作用。奥斯汀阐述了自我认识的重要性并解决了这样的疑惑，那就是只有当“理性”与 “情感”达到平衡时，才会得到真正的幸福。

【关键词】 简.奥斯汀；女主人公；理性；情感；创作思想

【Abstract】 Jane Austen, the most outstanding woman novelist at the end of 18th century.She was the first important woman writer in the history of English literature as well.In Austen's novels, “rationality” and “sensibility” are a perpetual, interdependent and mutually repelling theme.This paper analyses the characters of Jane Austen's novels and questions whether the balance of “rationality” and “sensibility” can be seen in Pride and Prejudice and Persuasion.The introduction gives a short review of Jane Austen' works and her influence on the English literature, and it points out the theme of the paper.Part two discusses the embodiment of “rationality” and “sensibility” in Pride and Prejudice.The analysis of three characters, Charlotte Lucas, Jane Bennett, Elizabeth Bennett, points out that in Austin's early work, Pride and Prejudice, the creative ideas was that only when the heroine use “rationality” to repress “sensibility” she can have a happy marriage.Part three discusses the embodiment of “rationality” and “sensibility” in Persuasion, and points out that “rationality” can only brought pain to us but had no protection for the future.It has confirmed the evolution from “rationality” to “sensibility” and praised the great power of human emotion.Part four, explains the great change on Jane Austen's creative ideas in details and mainly tells us the reasons for the change from two aspects which are the social and personal reasons.Jane Austen is a synthesizer, a milestone of great significance.She plays a connecting role in the English literature.She explains the importance of self-awareness and solves the puzzle that only when rationality and sensibility has reached a balance can people be really happy.【Key Words】 Jane Austen;heroines;rationality;sensibility;creative ideas

Table of Contents Chapter One Introduction............................................................................................................1 Chapter Two The Embodiment of “Rationality” and “Sensibility” in Pride and Prejudice..3

2.1 On Behalf of “Rationality” Characters: Charlotte Lucas....................................................3 2.2 On Behalf of “Sensibility” Characters: Jane Bennet..........................................................4 2.3The Balance of “Rationality and ”Sensibility“: Elizabeth Bennett......................................6 Chapter Three The Embodiment of ”Rationality“ and ”Sensibility“ in Persuasion..............8

3.1 On Behalf of ”Rationality“ Characters: Mrs.Croft............................................................8 3.2 On Behalf of ”Sensibility“ Characters: Mrs.Smith............................................................9 3.3The Balance of ”Rationality and “Sensibility”: Anne Elliot..............................................10 Chapter FourThe Changes of Creative Ideas of Jane Austen.................................................12

4.1 From Pride and Prejudice to Persuasion: Embodied in the Change of Creative Ideas...12 4.2 The Reasons for the Change of Austen's Creative Ideas..................................................12 4.2.1 Social Reasons........................................................................................................12 4.2.2 Jane Austen's Personal Reasons..............................................................................13 Chapter Five Conclusion.............................................................................................................15 Bibliography…………………………………………………………………………………….16

第四篇：毕业论文(摘要、关键词及正文)

郑州大学现代远程教育

毕 业 论 文

题 目： 装饰工程施工管理与造价控制间的关系

入 学 年 月_ _ 姓 名_ _ 学 号__ __ 专 业__ __ 学习中 心_ 指 导 教 师______________

完成时间_2010_年_2_月____日

目 录

摘要及关键词….…………………………………………………………………………….…1 1 引言…………………………………………………………………………………………..2 2.工程施工管理………………………………………………………………………………...2 2.1 工程施工管理内容……………………………………………………………………...2 2.2 组织优秀的项目管理部………………………………………………………………...2 2.3 编制施工组织设计与施工过程管理…………………………………………………...2 2.2.1 施工组织设计的重要性和必要性…………………………………………………2 2.2.2 施工过程管理及质量控制…………………………………………………………3 2.2.1.1 施工过程中技术资料和工程质量的检查…………………………………….3 2.2.1.2 隐蔽工程验收质量检查控制………………………………………………….4 2.2.1.3 明确装饰装修工程质量控制目标…………………………………………….4 3 项目成本造价控制…………………………………………………………………………..4 2.1 成本造价控制原则……………………………………………………………………...4 2.2 成本造价控制措施……………………………………………………………………...5 4 结论…………………………………………………………………………………………..5 5 参考文献……………………………………………………………………………………..5 6 致谢…………………………………………………………………………………………..7

摘要

在建筑装饰装修工程施工中，其项目工程施工管理和项目成本造价控制为重点。如何确保有很好的施工管理及合理的成本造价本控制，是建筑装饰装修施工单位的共同目标。本文分别论述了在项目工程施工管理和项目成本造价控制上的观点。在项目工程施工管理上阐述了项目施工管理的内容及工程施工管理的目标具有战略性、全局性和宏观性的指导。所谓战略性，主要是其内容高屋建瓴，具有原则性和长效性的作用。提出组织优秀的项目管理部以人才合作管理，并且要编制施工组织设计与施工过程管理在项目成本造价控制上，提出项目成本控制的原则和措施从而得出项目施工管理与成本造价控制之间是相辅相成的。就装饰工程项目施工管理及项目成本造价控制进行探讨。关键词：装饰工程；施工管理；造价控制

In building decoration engineering construction, the project construction cost management and project cost control focus.How to ensure that good construction management and reasonable construction costs of this control is the building decoration and construction units of the common goal.This paper discusses the construction in project management and project construction costs of the control point of view.In project construction management, construction management project described the contents and construction management objectives of strategic, overall, and macro guidance.The so-called strategic, mainly its content from a commanding height, with a principled and long-term role.Excellent project management to organize the Department co-management personnel, and to the preparation of construction organization design and construction process management, cost control in the project cost, the proposed project cost control principles and measures to arrive at the cost of project construction management and cost control are among complement each other.On the decoration project the costs of construction management and project control were discussed.Keywords: decoration work;construction management;Cost Control

正

文 引言

在建筑装饰装修工程施工管理中，如何有效地进行装饰装修工程施工管理，并在确保工程质量的前提下，控制好工程成本造价，是每个建筑装饰装修企业比较关注的一个问题。有效的控制好工程成本造价，一般是指某项工程从开工到竣工所花费的全部费用，即该工程项目有效的控制好工程成本造价，要有市场经济体制和工程项目施工全过程管理的需要，合理确定和有效调控工程成本造价，才能为每个建筑装饰装修企业取得经济效益和社会效益。工程施工管理

2.1 工程施工管理内容

工程施工管理是为使项目实现要求的质量、所规定的时限、所批准的费用预算所进行的全过程、全方位的规划、组织、控制与协调。工程施工管理的目标具有战略性、全局性和宏观性的指导。所谓战略性，主要是其内容高屋建瓴，具有原则性和长效性的作用。所谓全局性，是指它所考虑的是项目施工管理的整体性而不是某一部分或局部，是全过程而不是某个阶段。所谓宏观性，是指该工程的客观环境、内部管理、相关组织的关系、项目实施等。工程施工管理的目标界定了工程施工管理的主要内容是“三控制二管理一协调”，即进度控制、质量控制、成本控制、合同管理、信息管理和组织协调。加强工程施工管理，必须对工程施工的生产要素详细分析，认真研究并强化其管理。2.2 组织优秀的项目管理部

项目经理在工程施工的过程中起着重要作用，是项目施工实施过程中所有工作的总负责人，在工程建设过程中起着协调各方面关系、沟通技术、信息等方面的纽带作用，在工程施工的进程中处于十分重要的地位。因此项目经理在工程实施的进程中不仅要利用自己掌握的知识，灵活自如地处理发生的各种情况，还要建立一套合理完善的制度方案，团结大家的力量多谋善断、灵活机变、大胆爱才、大公无私、任人唯贤、大胆管理，为企业取得最大利润。技术人员已越来越被企业所重视，人才专业结构的合理组织已成为企业人才发展规划的侧重点。就装饰企业而言，设计与施工时两个重要的一线部门，所要求的技术人员的标准相对较高，专业设置既全面又要有所侧重；因此，在企业发展的大目标下，有计划、有侧重地逐步招聘、培养和合理使用人才，并不断地更新知识；加快企业的发展步伐。

2.3 编制施工组织设计与施工过程管理

2.2.1 施工组织设计的重要性和必要性

装饰工程施工组织设计是按照建筑装饰工程的施工步骤、施工工艺要求和经营管理规定而制定科学合理的组织方案、施工方案，合理安排施工顺序和进度计划，有效的利用施工场地，科学合理的使用人力、物力、资金、技术等生产要素，协调各方面的工作。施工方案的设计是工程施工组织设计的核心内容，是指导施工的重要依据，也是工程施工组织设计中带有决策性的环节，施工方案是否恰当合理，讲关系到工程的施工效益、施工质量、施工工期和技术经济效果，因此必须引起足够的重视。在好的施工方案中能够保证工程质量、施工进度、安全施工、文明施工，才能取得经济效益和社会效益。建筑装饰工程施工组织设计是规划、指导工程投标、签订承包合同、施工准备和施工全过程的全局性技术经济文件。从投标开始到竣工结束，在市场经济条件下，特别应当发挥施工组织设计在投标、签订承包合同和施工过程中的作用，使建筑装饰工程施工组织设计不但在管理中发挥作

用，更要在经营中发挥作用。

2.2.2 施工过程管理及质量控制

施工过程的质量监控是现场质量管理的重要环节，有力的质量监控能使过程质量做到防患于未然，能控制过程质量达到预期的目标，有利于促进过程质量不断提高，有利于降低工程成本造价。

2.2.1.1 施工过程中技术资料和工程质量的检查

施工过程中技术资料是否齐备，工程质量是否达标，是衡量企业和项目经理管理水平高低的关键，是质监部门评定质量的依据。因此，对于施工中技术资料和工程质量的检查就十分必要了，通过经常性的检查而得到监督和修正，从而保证施工顺利开展，质量得到好的保证。个人自检、班组互检，下道工序检查上道工序，验收合格后进入下道工序的检验模式与班组长、质检员、项目经理和公司品管员的检验模式相结合，做到及时发现问题，及时制定措施解决问题，直到不合格的产品得到纠正。A 工程质量管理体系的建立

工程质量体系的建立是以现场施工管理组织机构为主体，根据施工单位质量管理体系和业主方或总承包方的工程项目质量控制总体系统的有关规定和要求而建立的。施工质量保证体系需要根据施工管理的范围，结合工程的特点建立，其主要内容有： ① 现场施工质量控制的目标体系；

② 现场施工质量控制的业务职能部门分工；

③ 现场施工质量控制的基本制度和主要工作流程； ④ 现场施工质量计划或施工组织设计文件； ⑤ 现场施工质量控制点及其控制措施；

⑥ 现场施工质量控制的内外沟通协调关系网络及其运行措施。B 工程质量控制 a 工程质量计划预控

工程质量计划预控，是以预防为主作为指导思想，在施工前，通过施工质量计划的编制，确定合理的施工程序、施工工艺和技术方法，以及制定与此相关的技术、组织、经济与管理措施，用以指导施工过程的质量管理和控制。⑴ 施工队伍的培训

施工队伍是工程施工直接的操作者，只有他们的管理水平和业务技术提高了，工程质量才能达到既定的目标，因此要着重对施工队伍进行技术培训和质量教育，帮助施工队伍提高管理水平，项目对施工队伍班组长及主要施工人员，按不同专业进行技术、工艺、质量综合培训，未经培训或培训不合格的施工队伍不允许进场施工。项目要求施工队伍建立责任制，并将项目的质量保证体系贯彻落实到各自施工质量管理中，并督促其对各分项工作落实。⑵ 过程质量监控

在施工队伍管理上关键的问题是把施工队伍管理融入到总包管理中去，接受总包的组织和协调。在各分项工程施工前组织分包技术人员参加方案讨论，全面听取其合理意见和建议。要求施工队伍执行总包下达的各项施工方案、技术交底、整改通知、指令或指导书等。对施工队伍出现的质量问题，不论大小严格把好质量关，了解原因，提出批评甚至处罚。每周由项目质量负责人组织施工队伍及项目技术负责人对在施工工程进行实体质量检查之后，由施工队伍写出本周在施工工程质量总结报告交项目质量负责人，再由质量负责人汇总，以《周质量管理情况总结》的形式发至项目经理部有关领导、各部门和各施工队伍。对质量好的承包方要予以表扬，需整改的部位应明确专人限期整改，并逐项检查是否彻底整改，落实跟踪处理。⑶ 过程质量检查

① 自检：在每一项分项工程施工完后均由施工班组对所施工产品进行自检，如符合质量验收标准要求，由班组长填写自检记录表。

② 互检：经自检合格的分项工程，在项目经理部专业工程师的组织下，由施工队伍工长及质量员组织上下工序的施工班组进行互检，对互检中发现的问题上下工序班组应认真及时地予以解决。交接检：上下工序班组通过互检认为符合分项工程质量验收标准要求，双方填写交接检记录，经施工队伍工头签字认可后，方可进行下道工序施工，并经项目专业工程师监督检查认可。

③ 成立项目质量管理领导班子，建立健全质量保证体系是施工质量管理与控制的前提条件。施工单位在与项目业主签订建筑装饰工程施工承包合同后，按合同工期及业主要求进驻施工现场后，首先要成立以项目经理、项目总工为首，质检员、试验员、材料员及施工技术人员为组成人员的质量管理领导班子。由质量管理领导班子编制项目管理质量目标、项目质量管理方针、项目施工质量控制点及项目质量管理办法等，由项目总工审核，经施工企业技术负责人审批后，项目经理组织实施。实例证明，施工质量品质优良的建筑装饰工程都是与施工项目强有力的质量管理领导班子和健全的质量保证体系是分不开的。

④ 核对设计施工图，提出施工图疑问，参加设计施工图交底。项目部要组织施工技术人员，进行施工图纸审核，图纸审核要注意专业之间的交叉和结合现场施工条件，征对各专业提出的施工图疑问进行整理，并将疑问递交项目业主及设计院。由项目业主召集设计院、监理单位、施工单位相关人员参加设计施工图交底会议，在会上由设计人员介绍设计意图，讨论各方提出的施工图疑问，由设计人员进行答复，形成会议纪要，作为施工的依据之一，这样可以解决施工图中各专业设计之间的矛盾、错误和遗漏，为建筑装饰施工扫清障碍，有利于控制建筑装饰施工质量。2.2.1.2 隐蔽工程验收质量检查控制

建筑装饰工程在施工过程中，要求对班组施工的每项隐蔽工程先由项目部施工技术员和班组进行互检，符合要求后，由项目部的质检员进行自检，自检合格后再由质检员报监理进行专检，并按质量监督程序报上级部门进行抽查检验。在施工中，如果发现隐蔽工程质量控制点有异常情况，应立即停止施工，召开分析会，找出产生异常的主要原因，并用对策表写出对策。如果是因为施工技术要求不当，而出现异常，必须重新修订标准，在明确操作要求和掌握新标准的基础上，再继续进行施工，同时还应加强自检、互检的频次。

2.2.1.3 明确装饰工程质量控制目标

严格按合同要求质量目标要求，从每个工序的质量控制入手，组织建立质量控制小组来组织开展工程质量的各项管理工作。尤其对质量通病加以认真研究，制定出切实可行的质量通病防治办法，切实做到预防为主。对隐蔽工程、工序间交接检查验收，对重点部位执行旁站监理制度，保证在整个施工过程控制好重点的关键部位的施工。对材料的质量评价，必须通过见证抽样、见证抽检取得数据后进行。不允许仅凭经验、目测或观感评价其质量。项目成本造价控制

2.1 成本造价控制原则

项目成本造价控制，指在项目成本造价的形成过程中，对生产经营所消耗的人力资源、物质资源和费用开支，进行指导、监督、调节和限制，把各项生产费用控制在计划成本造价的范围之内，保证成本目标的实现。施工项目成本造价控制的目的，在于降低项目成本造价，提高经济效益，以保证以最低的投入获得最大的产生。

项目经理作为工程项目管理的主要责任者，在担负起为社会提供合格的建筑装饰产品

同时，又要负担起为所属企业创造尽可能多的效益的使命。工程项目管理中为企业创效，首要问题是要抓好工程成本造价的核算与控制。

施工项目成本造价控制原则是企业成本管理的基础和核心，施工项目经理部对项目施工过程进行成本造价控制时，必须遵循以下基本原则。

⑴ 施工前必须进行全面的工程量核算，必须进行全面的市场价格咨询，详细编制现场经费计划，要求计划有详细的量化指标，并有分析说明；所有措施费用投入都应有详细的施工方案并有经济合理性分析报告；材料计划必须首先经商务经理确认价格后经项目经理最终确认方可实施；每月进行物资消耗盘点，进行成本分析；除零星材料可以直接采购外，主要材料采购必须进行货比三家才购买。

⑵ 人员本地化的原则。项目成本大的一个很重要的因素是项目经费过高。因此，除重要岗位外，应尽量从当地招聘员工，方可降低成本。2.2 成本造价控制措施

降低施工项目成本造价的途径，应该是既开源又节流，或者说既增收又节支。之开源不节流，或者只节流不开源，都不可能达到降低成本造价的目的，至少是不会有理想的降低成本造价效果。

项目经理是项目成本造价管理的第一责任人，全面组织项目部的成本造价管理工作，应及时掌握和分析盈亏状况，并迅速采取有效措施；工程技术部应在保证质量、按期完成任务的前提下尽可能采取先进技术，以降低工程成本造价；经济部应注重加强合同预算管理，增创工程预算收入；财务部主管工程项目的财务工作，应随时分析项目的财务收支情况，合理调度资金。

制定先进的经济合理的施工方案，以达到缩短工期、提高质量、降低成本的目的；严把质量关杜绝返工现象，缩短验收时间，节省费用开支；控制人工费、材料费、机械费及其他间接费。

装饰工程涉及的材料类型繁多，其材料价格占整个工程造价的50%以上，装饰材料的质量和价格直接关系到装饰工程的造价和效果，并牵制着企业施工技术和工艺的发展。因此，建立材料采购供应链，确保利润最大化尤为重要。首先要严格执行采购计划，控制材料价格和质量，要相对集中所耗主材，使供应商成为合作伙伴，在双赢的基础上形成装饰材料供应链，最大限度地节约供应成本；其次，要加强材料消耗总额和劳动定额的管理，完善材料出入库的点验制度及限额领料制度；再次，要合理堆置现场材料，避免和减少二次搬运。

企业要从实际出发，编制最佳的工作流程，制定相应的岗位职责，定期对职员进行培训；加强流程化团队建设，在管理上不断总结、改进，以实现全面成本控制。其次，要严格考察和慎重选择劳务队伍，严格执行劳务合同，建立公司合同标准工时定额和材料损耗定额，合理安排施工工序，防止窝工，提高劳动效率；防止预算外用工，实行“工完场清”制度，建立部门业绩考评制度，实行有奖有罚。结论

随着建筑装饰市场竞争的加剧，工程的单价越来越低，现场管理费越来越高。这就要求项目管理人员用更科学，更严谨的管理方法管理工程。作为管理部门也要合理的分析地区经济差别，防止在投入上一刀切。综上分析，施工项目管理与项目成本造价控制是相辅相成的，只有加强施工项目管理，才能控制项目成本造价；要达到项目成本造价控制的目的，只有加强施工项目管理才有意义。施工项目成本造价控制体现了施工项目管理的本质特征，并代表着施工项目管理的核心内容。施工项目成本造价控制是施工项目管理绩效评价的客观、公正的标尺。参考文献

[1] 中华人民共和国建设部.《建设工程项目管理规范》.（GB/T50326-2006）.北京：中国建筑工业出版社，2006.[2] 《建设工程项目管理规范》编写委员会.建设工程项目管理规范实施手册.北京：中国建筑工业出版社，2006.[3] 姜卫杰，《建设工程施工管理》[M].中国水利水电出版社，[4] 杨露江,建筑业企业建造员考试培训教材.《建设工程施工管理》[M].北京：中国建筑工业出版社，2009.[5] 严刚汉，刘庆凡，《建筑施工现场管理》[M].北京: 中国铁道出版社，2000.[6] 张欣天．《工程施工项目质量管理》［M］．北京：中国标准出版社，2006.[7] 贾宏俊、袁大祥.全国造价工程师执业资格考试培训教材.《建设工程技术与计量》[M].北京：中国计划出版社，2009.[8] 刘伊生.全国造价工程师执业资格考试培训教材.《工程造价管理基础理论与相关法规》[M].北京：中国计划出版社，2009.[9] 于建翔.《装饰装修工程建造师工程管理实用全书》[M].北京：当代中国出版社.2004 [10] 斯庆、宋显锐.《工程造价控制》[M].北京：北京大学出版社,2009 [11] 西安信德建设工程有限公司.建筑施工成本管理方法的应用与分析.《建筑管理现代化》[J].2007年05期

[12] 柯洪.全国造价工程师执业资格考试培训教材.《工程造价计价与控制》[M].北京：中国计划出版社，2009.[13] 中国建设工程造价管理协会.《建设工程造价管理理论与实务》[M].北京：中国计划出版社，2008.[14] 陈立春、鹿雁慧、真金 《工程造价控制与管理》[M].北京：北京理工大学出版社，2009.致谢

在本次论文设计过程中，***老师对该论文从选题，构思到最后定稿的各个环节给予细心指引与教导,使我得以最终完成毕业论文设计。在学习中,老师严谨的治学态度、丰富渊博的知识、敏锐的学术思维、精益求精的工作态度以及侮人不倦的师者风范是我终生学习的楷模，导师们的高深精湛的造诣与严谨求实的治学精神，将永远激励着我。这二年中还得到众多老师的关心支持和帮助。在此，谨向老师们致以衷心的感谢和崇高的敬意！

最后，我要向百忙之中抽时间对本文进行审阅，评议和参与本人论文答辩的各位老师表示感谢。

第五篇：毕业论文摘要、目录

瓷器首饰的设计研究

摘要：本文力图通过对目前世界首饰设计发展趋势的分析，希望研究出能够代表中国特色文化的瓷器首饰。

经济的发展，科技的进步，生活水平的提高，人们对首饰的要求也跟着提高，等等一系列原因导致珠宝首饰传统意义上的“ 保值 ”功能退居次要位置，代之而来的是审美、时尚、享受和健康。

尽管如此，全球化，统一化使得各国的生活方式和民族文化相互融合并逐渐趋于一致，最终导致了民族界限越来越小，民族特色首饰越来越少。面对这种情况，作为设计人员的我们唯一能做的就是宣传爱国意识，传播爱国情怀。而瓷器首饰本身就有很强烈的民族特征，在加上青花的效果和 “龙”图纹的衬托，使得瓷器首饰的民族特征更加强烈，更加有利于宣传爱国情怀的宣传和表达。

虽然目前整个首饰行业发展已经迈入稳定状态。但我相信瓷器首饰的出现将给首饰界带来另一个无限的发展空间。

瓷器首饰它是当下最流行的“绿色产品”。它危害低,环保、节能、健康。它是你我最佳的选择。

关键词：瓷器首饰；时尚；中国文化；爱国情怀

中图分类号：TB472

The Research on the Design of Porcelain Jewelry

Abstract: This paper tries to discuss eyewear design from the perspective of fun spirit by analyzing the present world development trend of eyewear design.We are familiar with eyewear as a product.Now，It is not only the use of correcting short-sightedness and astigmatism, but increasingly becoming a fashion carrier embodied the fun spirit as.For the consumers, the purchase of motivation is on fashion, on personality, on decoration.China's optical industry developed fast in recent years but the whole development of the industry has not been standardized, mature.China is the world's major production base of eyewear, the world's first production, but also can not be the forefront of the field.The lack of design capabilities, blindly follow the example is an important reason.China has a long history, which are rich in spiritual wealth is unique to us.In particular, the Chinese elements is more and more popular today, the using of the Chinese elements in eyewear design creativity is a practical sense.The interpretation of Chinese elements, of course, can not remain in superficial level.This paper wants to interpret the Chinese elements with fun spirit in eyewear design, make It has new content, in line with modern consumer and aesthetic needs.Keywords: Porcelain Jewelry ；Eyewear design ；Chinese elements

Classification: TB472

目次

摘要·······································································································································Ⅰ 目次·······································································································································Ⅲ 1绪论······································································································································1

1.1研究背景··························································································································1

1.2研究目的与意义··············································································································2 2瓷器概述······························································································································4

2.1瓷器的定义······················································································································4

2.2瓷器的发展及其现状······································································································5

2.3瓷器产品的分析··············································································································6 3首饰设计概述······················································································································8

3.1首饰的定义及其分类······································································································8

3.1.1首饰的定义··················································································································8

3.1.1首饰的分类··················································································································8

3.2首饰设计的基本方法······································································································9

3.2.1点线面在首饰中的体现······························································································9

3.2.2色彩在首饰设计中的运用························································································10

3.2.3现代首饰的主要特征和形式美的法则···································································· 11

3.3首饰设计元素的选择····································································································12

3.4首饰设计造型的演化····································································································13

3.5首饰设计图案的选择·································································································14

3.6套件首饰设计············································································································15

3.7现有首饰分析············································································································15 4瓷器首饰的设计················································································································16

4.1瓷器饰品的现状及其发展前景····················································································16

4.2瓷器首饰的特点············································································································18

4.2.1瓷器首饰具有强烈的民族性····················································································18

4.2.2瓷器首饰是新型的“绿色首饰” ············································································183

4.2.3瓷器首饰具有的材质优势························································································19

4.2.4瓷器首饰具有无可替代的色彩优势········································································19

4.2.5瓷器首饰具有形式多样性························································································20

4.2.6瓷器首饰具有独特装饰效果····················································································20

4.3瓷器首饰的加工工艺····································································································21 5瓷器首饰的设计理念及其运用························································································22

5.1碗造型及印章的寓意····································································································22

5.2青花图案与现代亮丽的黄颜色分析对比····································································23

5.3龙文化的寓意················································································································24 6设计实践部分····················································································································26

6.1产品构想························································································································26

6.1.1背景调查····················································································································26

6.1.2目标人群分析············································································································26

6.1.3材料选定····················································································································27

6.1.4产品定位····················································································································27

6.2设计初稿························································································································28

6.3产品分析························································································································28

6.4佩戴展示························································································································29

6.5设计效果图····················································································································30

6.6设计版面························································································································31 7结论····································································································································32 参考文献·······························································································································33 学位论文数据集···················································································································344